Michael Whitson, viola, PCMF founder and director
Michael Whitson is an active violist and teacher in the Southern California area. As a performer, he has shared the stage with the likes of Katy Perry, Stevie Wonder, Barbra Streisand, Mariah Carey, Randy Jackson, Blake Shelton, Itzhak Perlman, Yo-Yo Ma, Joshua Bell, as well as many other artists and groups. He is a regular studio musician, having performed on numerous movie scores such as "Mulan", "Secret Life of Pets", and "It Chapter 2". He has also recorded for many current television series such as "The Mandalorian", "Empire", and "Marvel's Agents of SHIELD". Michael performs with local orchestras and ensembles, including the Los Angeles Opera.
A passionate educator as well, Michael serves as the faculty violist at the University of Cal Poly, is currently a Los Angeles Philharmonic Teaching Artist, and maintains his own private studio. He is currently serving as project manager for the Los Angeles Philharmonic's youth orchestra summer program in Idyllwild.
Growing up in the Bay Area, his first studies were with his parents who were also active performers and teachers. He was awarded a full scholarship to attend the San Francisco Conservatory of Music where he studied with Paul Hersh. He then completed his graduate studies at the University of Oklahoma in which he was a member of the university's graduate string quartet.
Along with his love for music, Michael is a passionate fly-fisherman, hiker, and sports fan.
Chen Zhao, violin
A native of Shanghai, Chen Zhao showed an early interest in music, playing a makeshift violin (a chopstick and pencil box) until his parents gave him a 1/8-size violin on his fourth birthday. He studied with his uncle Ronghao Nie and gave his first public performance at the Shanghai Children’s Palace at age six. He went on to study at the Shanghai Conservatory of Music, Crossroads School for Art and Sciences, Curtis Institute of Music, SF Conservatory of Music, and joined the San Francisco Symphony at age 25. His teachers include Jiaxiang Zhou, Jiyang Zhao, Heiichiro Ohyama, Felix Galimir, and Camilla Wicks.
Chen has toured throughout the US, Europe, and Asia, and performed at Ravinia, La Jolla, Sun Valley, Round Top, Santa Fe, PMF, Evian, BBC Proms, Lucerne festivals. A seasoned performer in the world's most prestigious concert halls, Chen has also performed as a soloist most recently with the San Francisco Symphony, Curtis Symphony Orchestra, Oslo Chamber Orchestra, and the Stanford Symphony Orchestra. An avid chamber musician, he has performed with Martin Lovett, Miriam Fried, Paul Neubauer, Robert Chen, Gilbert Kalish, Jorja Fleezanis, Geraldine Walther, and studied with members of the Amadeus, Guarneri, Vermeer, Juilliard, and Borodin Quartets. Chen has also performed and recorded with artists such as John Denver, Train, and most recently, Metallica at the Chase Center.
Chen has mentored young violinists in San Francisco since 2000. He is a violin professor at the San Francisco Conservatory of Music and serves as the orchestral training coach for both the SF Conservatory Orchestra and the SF Symphony Youth Orchestra.
Laura Gaynon, cello
Laura Gaynon is an active performer and presenter of cello and chamber music in the San Francisco Bay Area. Described as "stunning" by the SF Examiner, Laura has performed with the American Bach Soloists, Tenth Avenue Players, Magik*Magik Orchestra, Ensemble for These Times, the unconducted orchestra One Found Sound, and the baroque chamber ensemble Musa. As a chamber musician, she has collaborated with luminaries including Kim Kashkashian, Geoff Nuttall, Bonnie Hampton, Paul Hersh, and Ian Swensen. Laura is the Associate Director of Bard Music West in San Francisco, as well as Artistic Director of Bay Area Concerts at Home, a chamber music series that takes place entirely in the living rooms around the Bay Area. She is dedicated to promoting the music of today, and spearheaded Musa’s “Art Inspiring Art” commissioning project, now in its third year.
A devoted teacher, Laura has a studio in San Francisco and is on faculty at Chamber Music by the Bay, California Music Preparatory Academy and the Pacific Crest Music Festival. Laura has degrees from Yale University and the San Francisco Conservatory of Music, where she graduated with an M.M. in cello performance, an Artist Certificate in chamber music, and an emphasis in Historical Performance Practice as a student of Jennifer Culp and Elisabeth Reed.
Jessica Chang, viola - GUEST ARTIST
Taiwanese-American violist Jessica Chang leads a versatile career as a chamber musician and educator. As the founder and director of Chamber Music by the Bay, Jessica performs interactive concerts to over 2,000 youth throughout the San Francisco Bay Area annually. Her work as a teaching artist has led to concert residencies around the United States with Project 440, the Savannah Music Festival, Music from Angel Fire, and Juneau Jazz and Classics. As a chamber musician, Jessica has performed throughout North America, Europe, and Asia, and her performances have been broadcast on American Public Media’s Performance Today, WYNC, WHYY, and WQXR Public Radio. Recent festival appearances include Festival Mozaic, Bard Music West, Juneau Jazz & Classics, and the festivals at Verbier, Aspen, Tanglewood, Prussia Cove, Music from Angel Fire, Savannah, and Taos. She has also served as the violist of the Afiara Quartet, formerly Quartet-in-Residence at the Royal Conservatory of Music in Toronto and visiting faculty at The Banff Centre in Alberta, Canada.
Jessica is a graduate of Yale University, where she received her Bachelor of Arts degree with honors and distinction. She also holds graduate degrees from the Curtis Institute of Music and The Juilliard School as a student of Heidi Castleman, Roberto Diaz, Michael Tree, Misha Amory, and Daniel Panner. She maintains a teaching studio in the San Francisco Bay Area, where she performs frequently with ensembles including Ensemble Illume, the Ives Collective, Ensemble San Francisco, and Chamber Music Silicon Valley, and serves as a Board Member of the American Viola Society. Jessica also leads a dual career as a behavioral engineer and technical program manager in security engineering, and is an industry-recognized speaker globally on building and scaling security culture.
Tanya Gabrielian, piano
Hailed by the London Times as a “pianist of powerful physical and imaginative muscle”, Tanya Gabrielian has captivated audiences worldwide with her gripping performances. She has performed on four continents in acclaimed venues including Carnegie Hall in New York, Kennedy Center in Washington D.C., Sydney Opera House, Queen Elizabeth Hall and Wigmore Hall in London, and the Salle Cortot in Paris, with such orchestras as the Los Angeles Philharmonic, Sydney Symphony Orchestra, Royal Scottish National Orchestra, London Sinfonia, and the Armenian Philharmonic Orchestra.
Tanya shot onto the international stage at the age of twenty with back-to-back victories in the Scottish International Piano Competition and Aram Khachaturyan International Piano Competition. Since then, performance engagements have included Alice Tully Hall and the 92 nd Street Y in New York, Dame Myra Hess Concert Series in Chicago, Edinburgh International Festival, Seoul Arts Center in Korea, Glasgow Royal Concert Hall, an eleven-city tour of China, and a return recital engagement at Wigmore Hall in London. Tanya’s Southbank debut recital in the Purcell Room in London, presented by the Philharmonia Orchestra, was chosen as “Performance of the Year” by Seen and Heard International. Her Wigmore Hall debut, as winner of the coveted Wigmore Prize awarded by the Royal Academy of Music, was reviewed as “revelatory, a feast of romantic pianism which held us enthralled” and “an astounding achievement by any standards, and one I cannot imagine being bettered… Remember the name—Tanya Gabrielian—you will be hearing a lot more from her I feel sure.” Tanya’s latest recording, Remix: Bach Transcriptions, was released on MSR Classics and was selected as Album of the Week by radio stations in Chicago, Boston, Los Angeles, and San Francisco. She has also been featured on the cover of the magazine Clavier.
In addition to the traditional concert stage, Tanya is passionate about inspiring new generations of musicians and music lovers in diverse settings, dedicated to community engagement, education, and activism through art. Projects have included collaborations with the National Alliance on Mental Illness in programs featuring composers with mental illnesses, highlighting the stigma around mental health issues; founding an interactive performance series for patients at the New York State Psychiatric Institute; an installation with the artist Fran Bull for the exhibit In Flanders Fields: A Meditation on War; and a multidisciplinary collaboration combining Haydn’s Seven Last Words of Our Savior on the Cross with final statements from executed death row inmates. Tanya was awarded the Pro Musicis International Award, McGraw-Hill Robert Sherman Award for Music Education and Community Outreach, Salon de Virtuosi Career Grant, and the S&R Washington Award for her work.
Tanya’s interests have always been diverse. Admitted to Harvard University to study biomedical engineering at the age of sixteen, Tanya instead pursued a career in music, completing her Bachelor’s and Master’s degrees at the Royal Academy of Music in London, originally studying both piano and viola. She received the prize for the best final recital for all six years of study and received a DipRAM, the highest performance award given by the Royal Academy of Music. Tanya was the only candidate accepted for the prestigious Artist Diploma, an extraordinarily selective post-graduate residency program, at The Juilliard School, and she received her doctorate from the Graduate Center of the City University of New York. She is the Chair of the Piano Department at Boston University.
Chiharu Sai, piano
Selected by Japan’s major newspaper, Mainichi Shinbun, as “One of the 100 People in Tokyo to Represent the 21st Century,” pianist Chiharu Sai performs widely as a soloist and chamber musician, both in Japan and the United States.
Her performances have met wide acclaim for their “great verve and refreshing power” (Chopin Magazine). Ms. Sai’s performance highlights include four concerts in 2002-2010 at Weill Recital Hall at Carnegie Hall in New York City including two solo recitals, one chamber music concert with New York Amadeus String Quartet, and one concerto performance with the Carolina Philharmonic conducted by David Michael Wolff.
The renowned critic Harris Goldsmith said of Ms. Sai’s performance of Mozart’s piano concertos, “Ms. Sai proved herself to be a Mozartean of refreshingly unusual potency. She is one of those rarities: an artist who is unafraid to explore the white-hot passion of the Salzburg genius”. Upon hearing Ms. Sai’s performance at Opera City Hall in Tokyo, the music critic Yukiko Hagiya wrote, “This critic wishes that she would cross the Pacific Ocean more often to enthrall the classical music fans of Japan”.
Ms. Sai balances her performance schedule with an active involvement in music education and pedagogy. Since she moved to Mount Shasta from New York City in 2013, she has been teaching both at College of the Siskiyous and Southern Oregon University.
Ms. Sai holds a Doctorate of Musical Arts in Piano Performance from the Manhattan School of Music. Her doctoral dissertation entitled “The Proportional Function of the Cadenza in the First Movements of Mozart’s Piano Concertos” was published by Lambert in Germany. Her debut CD of Chopin’s 4 Scherzi and 4 Ballades was released on King Records of Japan in the fall of 2008. Of this disc, the critic Yoshiko Ikuma noted Ms. Sai’s “deep identification with their celebrated creator’s genius”.
Mary Bianco, composer in residence
Mary Bianco is a San Francisco, Paso Robles, Los Angeles and New York based composer of primarily classical chamber music . She received her M..A. degree in Music Composition from Mills College in 2015; her primary teachers being David Bernstein, Fred Frith, Chris Brown and Roscoe Mitchell. Her thesis is titled, “Understanding and Dealing with the Loss of Absolute Pitch as One Ages”. Mary received her B.A. with concentration in composing from Sarah Lawrence College.
Currently studying with David Garner, her previous teachers include Darius Milhaud, Ezra Laderman, Meyer Kupferman, and Irwin Stahl. Mary composed for the Carpenter Trio from 2011 to 2016. Currently she composes for Symphony of the Vines in the Central Coast, the Crescent City Chamber Players, Project: Music Heals Us, The Solera Quartet, The Manhattan Chamber Players, and various California artists.
Mary is a longtime board member of The Music Conservatory of Westchester in addition to serving on various educational boards both in the U.S. and internationally. She accepts selected commissions particularly for the not-for profit sector where music assists in raising the sights of funders and providing special thanks for generous ongoing supporters.
Martin Majkut, conductor
Born in Bratislava, Czechoslovakia (now Slovakia), Martin Majkut graduated from the State
Conservatory, serving as Assistant Conductor of the Slovak Philharmonic while earning his
Ph.D. in conducting at the Academy of Performing Arts. While there, he also worked with
the Slovak Philharmonic, Slovak Radio Symphony Orchestra, Slovak State Philharmonic and
Majkut came to the U.S. as a Fulbright scholar in 2003 and earned a D.M.A., his second
doctorate, in 2008, from the University of Arizona. He also studied with Gianluigi Gelmetti
at the Accademia Musicale Chigiana in Siena, Italy and Salvador Mas Conde at the Wiener
Meisterkurse in Vienna, Austria.
He is the Music Director of the Queens Symphony Orchestra in New York, a position he has
held since 2017. Performing in a variety of ethnically diverse communities, the orchestra
has expanded its season and quickly gained popularity in the dynamic borough of 2.35
Majkut has also been serving as Music Director of the Rogue Valley Symphony (RVS) in
Ashland, Oregon since 2010. The RVS has experienced a remarkable growth under his
leadership. The 50th season of the orchestra, with five world premieres and a star-studded
line-up of soloists, earned him an invitation to the League of American Orchestras
conference as a featured presenter.
During the pandemic, Majkut has imagined a digital season for the RVS – a series of films
replacing the orchestra’s live productions. He has also created a succession of “quarantine
videos.” Under the title “What Goes Through The Conductor’s Head,” they offer an insight
into a conductor’s score study process.
In 2021, Majkut looks forward to returning to the Slovak Philharmonic Orchestra and to his
appearance with the Greenwich Symphony Orchestra in Connecticut.
More information about Martin Majkut at .
Rogue Valley Symphony can be found at .
Queens Symphony Orchestra can be found at .